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Archive for the ‘on certain arts, writings and performances’ Category

No particular reason to post this here, except that I truly love this song and it brings back so many associations and memories.

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I am always fascinated when the inclusion of a famous song or classical piece in a movie gets it absolutely right. By that I mean that it not only perfectly reflects the mood and meaning of that movie scene but enhances its emotional impact in almost preternatural manner.

Such is the case with Shostakovich’s “Waltz No. 2” in Eyes Wide Shut. I simply can’t get it out my head however much I try. It is such a beautiful piece; flowery, passionate, romantic yet with that indelible tinge of mystery and haunting spookiness. As a theme music for that movie, Stanley Kubrick couldn’t have chosen any better. Enjoy:

What other well known music inclusions for movie soundtracks can you think of that gets it perfect? Off the top of my head, here are a few that give me the chills: “Johnny Came Marching Home” from Dr. Strangelove,  “Hello” from Bitter Moon, “Bang Bang” from Kill Bill, “Girl, You’ll be a Woman” from Pulp Fiction.

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Despite the title, this post is not going to be a complete list but more of a little story.

One day when I came back from a rather stressful day of school and in a really bad mood — I was thirteen at the time — my mom suggested I lie down on my bed, close my eyes and play Mozart’s Piano Concerto 15 on my little cassette player. I did as she said. And that was how it all began.

I discovered Mozart and I have been in love with his music ever since. His genius has helped me tide over so many difficult times.  He has made me laugh in childlike delight on so many occasions. I have occasionally tried to express my gratitude in posts like this and this but I don’t think they really do justice to his greatness.

And it would be wrong not to mention the other composers I have discovered since. Dvorak and his amazing ninth. Beethoven. Bach, Vivaldi, Strauss, Wagner. Tchaikovsky. Copland.

And oh, Bizet! I love Carmen. I could listen to the Habanera all my life. In fact I could watch every performance of Carmen that has ever taken place. I have come to appreciate opera more over the years. This aria from the Marriage of Figaro is magical. It is Mozart after all. But if I have to pick one piece that touches me most intensely — sends tingling sensations through my body and makes me feel part of some indescribable greatness — it would be this miracle. Has there ever been another song as moving? Operas are great. I am going to see one this week — Die Walkure — and the very thought makes me excited.

I cannot say I am anything close to an expert on classical music. I know nothing about the technical aspects of music. I can barely tell keys.  I can’t read. I can neither sing nor play any instrument. But I just love hearing the stuff. It makes me happy. It can make me happier than almost anything else can.

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The film reminded me of a Bangalore classroom years ago. Me and this-girl-who-was-not-yet-my-girlfriend were communicating via notes scribbled on paper. It was supposed to be a study session of course but when have such details dampened the excitement that comes with the early stages of a romance?

Come to think of it, I am pretty sure I still have those notes somewhere (I no longer have her).  And if I remember correctly, we not only communicated about our lives and likes in that furtive hour of under the desk note-passing but also about less likely things like Camus’ The Outsider and the social characteristics of young Indians. Heh.

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I discovered this fabulous piece of music through KUSC today. It has this quality of utter spontaneity and joie de vivre, building up to an absolutely triumphant finish. It lifts my mood everytime I hear it. Enjoy:

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TOI is a haven for extraordinary writing but today they have surpassed themselves. Have a look at this piece, titled “Have a heart.” It begins:

Manmohan Singh’s sternest critics will not deny that the prime minister is, if nothing else, all heart. And, regrettably, that heart is in trouble.

What eloquence, what depth of feeling. I wish I could write with half as much heart.

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Below is an abridged translation of the Habanera, currently my favourite song in all of opera.

When will I love you?
Good Lord, I don’t know,
Maybe never, maybe tomorrow.
But not today, that’s for sure.

Love is a rebellious bird
that nobody can tame,
and you call him quite in vain
if it suits him not to come.
Nothing helps, neither threat nor prayer.

The bird you thought you had caught
beat its wings and flew away …
love stays away, you wait and wait;
when least expected, there it is!
All around you, swift, swift,
it comes, goes, then it returns …
you think you hold it fast, it flees
you think you’re free, it holds you fast.

Love is a Bohemian child,
it has never, ever, known law;
If you love me not, then I love you;
If I love you, you’d best beware!

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